Êîãäà êðèâàÿ äîðîæêà çàñòàâëÿåò ñêðûâàþùåãîñÿ îò ïðàâîñóäèÿ Äîìà Òîðåòòî âåðíóòüñÿ â Ëîñ-Àíäæåëåñ, âðàæäà ñ àãåíòîì Áðàéàíîì Î’Êîííåðîì âñïûõèâàåò ñ íîâîé ñèëîé. Íî ó ïàðî÷êè îáíàðóæèâàåòñÿ îáùèé ïðîòèâíèê, è Äîìó ñ Áðàéàíîì ïðèõîäèòñÿ çàêëþ÷èòü ïåðåìèðèå â íàäåæäå îäåðæàòü íàä íèì ïîáåäó. Ãðàáÿ êîíâîè, ðîÿ ïîäêîïû è ïåðåñåêàÿ ãðàíèöû, îíè ïðèõîäÿò ê èäåàëüíîé ôîðìå îòìùåíèÿ — ïåäàëè ãàçà, âäàâëåííîé äî óïîðà.

Speed - it's easy to get and it's as close as the nearest set of high-performance wheels. Brian O'Connor, now a disgraced cop, fell victim to it--and now he's paying the price. As far as his bosses and the FBI brass are concerned, the hothead undercover officer threw one of their largest investigations ever. After losing his badge and any chance of redemption along with it, O'Connor is given one last chance when the feds in Miami need his help to collar Carter Verone, a flashy businessman whose using his import/export business as a cover for an international money laundering cartel. Cutoms has had Verone under intense surveillance for over a year with nothing more to show for it than the kingpin's link to illegal street racing. With their backs against the wall and time running out, officials put out a call for O'Connor to do what he does best--talk the talk and push the metal. But the rule-breaking loner has his own demands before taking on the job. He insists on recruiting his childhood friend and ex-con Roman Pearce as his partner. The Feds and Agent Markham offer Pearce, an accomplished criminal with an aptitude for barrier-shattering speed, a deal--work with O'Connor and his impressive rap sheet will disappear. Now, it's last chance for both, ex-con and ex-cop, and their ticket out of disgrace is bringing down Verone. But the lines become blurred once again for O'Connor with the appearance of undercover agent Monica Fuentes, the key to entering Verone's world who may herself be in bed with the shady entrepreneur.

drug references, language, intense sequences of violence, intense sequences of action and some sexual content
Heading back to the streets where it all began, two men rejoin two women to blast muscle, tuner and exotic cars across Los Angeles and floor through the Mexican desert. When a crime brings them back to L.A., fugitive ex-con Dom Toretto reignites his feud with agent Brian O'Connor. But as they are forced to confront a shared enemy, Dom and Brian must give in to an uncertain new trust if they hope to outmaneuver him. And from convoy heists to precision tunnel crawls across international lines, two men will find the best way to get revenge: push the limits of what's possible behind the wheel.

One map is 200 mb

Î ôèëüìå: Êîãäà êðèâàÿ äîðîæêà çàñòàâëÿåò ñêðûâàþùåãîñÿ îò ïðàâîñóäèÿ Äîìà Òîðåòòî âåðíóòüñÿ â Ëîñ-Àíäæåëåñ, âðàæäà ñ àãåíòîì Áðàéàíîì Î’Êîííåðîì âñïûõèâàåò ñ íîâîé ñèëîé. Íî ó ïàðî÷êè îáíàðóæèâàåòñÿ îáùèé ïðîòèâíèê, è Äîìó ñ Áðàéàíîì ïðèõîäèòñÿ çàêëþ÷èòü ïåðåìèðèå â íàäåæäå îäåðæàòü íàä íèì ïîáåäó. Ãðàáÿ êîíâîè, ðîÿ ïîäêîïû è ïåðåñåêàÿ ãðàíèöû, îíè ïðèõîäÿò ê èäåàëüíîé ôîðìå îòìùåíèÿ — ïåäàëè ãàçà, âäàâëåííîé äî óïîðà.

Î ôèëüìå: Êîãäà êðèâàÿ äîðîæêà çàñòàâëÿåò ñêðûâàþùåãîñÿ îò ïðàâîñóäèÿ Äîìà Òîðåòòî âåðíóòüñÿ â Ëîñ-Àíäæåëåñ, âðàæäà ñ àãåíòîì Áðàéàíîì Î’Êîííåðîì âñïûõèâàåò ñ íîâîé ñèëîé. Íî ó ïàðî÷êè îáíàðóæèâàåòñÿ îáùèé ïðîòèâíèê, è Äîìó ñ Áðàéàíîì ïðèõîäèòñÿ çàêëþ÷èòü ïåðåìèðèå â íàäåæäå îäåðæàòü íàä íèì ïîáåäó. Ãðàáÿ êîíâîè, ðîÿ ïîäêîïû è ïåðåñåêàÿ ãðàíèöû, îíè ïðèõîäÿò ê èäåàëüíîé ôîðìå îòìùåíèÿ — ïåäàëè ãàçà, âäàâëåííîé äî óïîðà.

Î ôèëüìå: Êîãäà êðèâàÿ äîðîæêà çàñòàâëÿåò ñêðûâàþùåãîñÿ îò ïðàâîñóäèÿ Äîìà Òîðåòòî âåðíóòüñÿ â Ëîñ-Àíäæåëåñ, âðàæäà ñ àãåíòîì Áðàéàíîì Î’Êîííåðîì âñïûõèâàåò ñ íîâîé ñèëîé. Íî ó ïàðî÷êè îáíàðóæèâàåòñÿ îáùèé ïðîòèâíèê, è Äîìó ñ Áðàéàíîì ïðèõîäèòñÿ çàêëþ÷èòü ïåðåìèðèå â íàäåæäå îäåðæàòü íàä íèì ïîáåäó. Ãðàáÿ êîíâîè, ðîÿ ïîäêîïû è ïåðåñåêàÿ ãðàíèöû, îíè ïðèõîäÿò ê èäåàëüíîé ôîðìå îòìùåíèÿ — ïåäàëè ãàçà, âäàâëåííîé äî óïîðà

Ãîä âûõîäà: 2009
Æàíð: Áîåâèê
Ïðîäîëæèòåëüíîñòü: 01:39:31
Ïåðåâîä: Ïðîôåññèîíàëüíûé (ìíîãîãîëîñûé)
Ðàçìåð 1: 1.37 GB
Ðàçìåð 2: 700Mb

Êîãäà êðèâàÿ äîðîæêà çàñòàâëÿåò ñêðûâàþùåãîñÿ îò ïðàâîñóäèÿ Äîìà Òîðåòòî âåðíóòüñÿ â Ëîñ-Àíäæåëåñ, âðàæäà ñ àãåíòîì Áðàéàíîì Î’Êîííåðîì âñïûõèâàåò ñ íîâîé ñèëîé. Íî ó ïàðî÷êè îáíàðóæèâàåòñÿ îáùèé ïðîòèâíèê, è Äîìó ñ Áðàéàíîì ïðèõîäèòñÿ çàêëþ÷èòü ïåðåìèðèå â íàäåæäå îäåðæàòü íàä íèì ïîáåäó. Ãðàáÿ êîíâîè, ðîÿ ïîäêîïû è ïåðåñåêàÿ ãðàíèöû, îíè ïðèõîäÿò ê èäåàëüíîé ôîðìå îòìùåíèÿ — ïåäàëè ãàçà, âäàâëåííîé äî óïîðà.

The Fast and the Furious: Tokyo Drift (Wild Speed X3 Tokyo Drift in Japan) is a 2006 film directed by Justin Lin and the third installment of The Fast and the Furious film series. The film features an all-new cast and a different setting (Tokyo, Japan) from the previous two films. The movie was shot in Tokyo and in Little Tokyo, Los Angeles, the latter often covered with props and lights to create the illusion of the Tokyo style.

Íåèçâåñòíûå èñòîðèè î òàê ïîëþáèâøèõñÿ íàì ãåðîÿõ: óâàëåíü Ïàíäà Ïî, Òèãðèöà, Áîãîìîë, Îáåçüÿíà, Ãàäþêà è Æóðàâëü. Õîòèòå óçíàòü, êàê âñå íà÷èíàëîñü? Òîãäà ñìîòðèòå ðàññêàç îá îáû÷íûõ áóäíÿõ è çàáàâíûõ ïðèêëþ÷åíèÿõ íåèñòîâîé ïÿòåðêè, Ïàíäû è èõ ó÷èòåëÿ.